红花之歌
影片信息
- 状态：HD中字
- 主演：Greta Almroth Arvid Dahlberg 约翰·埃克曼
- 导演：莫里兹·斯蒂勒
- 年份：1919
- 地区：其它
- 类型：剧情片
- 语言：其它
- 更新：2025-07-21 11:18
- 简介：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German u..
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“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German unt watched in a newly restored and tinted py. It bines the well-known aesthetics, technical imvements and istic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those blems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his plar quest that his actions always have nsequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of ing of age film, the special introspective growth toward maturity of a free and easy youngster. As this German unt said before, the film displays Stiller’s characteristic istic virtues. ; in the first p of the film, we can see elements of edy, not exactly like the edy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is nflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate duction of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
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